• Home
  • The Field Room
  • The Minis
  • The Work
  • Abstracts
  • Interior Murals
  • More
    • Home
    • The Field Room
    • The Minis
    • The Work
    • Abstracts
    • Interior Murals
  • Home
  • The Field Room
  • The Minis
  • The Work
  • Abstracts
  • Interior Murals

the High desert

 

The harsh winds of the high desert reveal strength and grace of

the rooted scrub. The gnarled, windswept movement exhibited by

each sage branch is inextricable from it’s rigid dryness; creating the

illusion of stillness.

Natural forms are abstracted as cast shadows creep in the sun’s

path over arid sand and clay weaving tenuous rugs on the earth.

These shadows create the framework for each piece

"Blossom" 24x30 sand, marble dust, hand ground pigments, on linen.
Available: $850.00
"Full Moon" 12x12"" image. casein on canvas.
AVAILABLE: $450.00
"Cradle" 11x14" Oil, gold leaf on birch cradle. AVAILABLE: $450.00
"Windswept" 25x50" Sand, marble dust, casein, hand ground pigments.
AVAILABLE: $1200.00
"Dancer" 17x20. Matted and framed 23x28"
Casein on Arches paper.
AVAILABLE: $750.00
"Swift" 17x41 Marble dust, sand, casein, hand ground pigments on linen.
AVAILABLE: $950.00

Instagram



It is not accidental that this place carries that name — or that the work made here carries it too. A field, in the scientific sense, is where careful observation happens. Where specimens are gathered, examined, and rendered with precision and wonder in equal measure. Where the seen world is recorded before it slips away.

That is what happens here.

The Field Room is Nancy Kirk’s working studio and gallery — a private space in El Prado, New Mexico, ten minutes from the center of Taos, on land that has always belonged to something larger than any of us.. It is where the miniatures are made: small oil paintings on panel, each one a kind of field study — rendered with the eye of a natural historian and the hand of someone who has painted theater walls in Florence and restored Broadway’s gilded ceilings.

The scale is intentional. Small things demand full attention. They ask you to come close.

Every piece that leaves here carries its provenance — title, medium, dimensions, date, and signature — on a label affixed to the back. It came from somewhere specific. It was made by a specific person, in a specific light, looking at a specific thing. That particularity is the point.

Studio visits are by appointment. If you are coming to Taos, come a little further.


This website uses cookies.

We use cookies to analyze website traffic and optimize your website experience. By accepting our use of cookies, your data will be aggregated with all other user data.

Accept